Self-taught since the age of 12, I've been immersed in 3D for over two decades, fifteen of them professional. I grew from generalist artist to on-set VFX supervisor without ever letting go of the tools: I still do look development and lighting myself, and I'm still the person who works out why the render is wrong. I'm as at home advising a director on camera setups for a VFX-heavy scene as I am inside the pipeline that has to deliver it. Belgian and South African dual citizen, currently based in Johannesburg with full EU/EEA right to work (no sponsorship required), and pursuing the UK Skilled Worker or Global Talent routes for UK roles.

I've supervised teams of 20+ artists on award-winning feature films, Netflix series, and international commercial campaigns. I've been on set guiding camera placement, tracking marker layout, HDRI capture, and lighting references, then carried that knowledge straight into post to deliver the final shots. From shipping one of the most graphically advanced mobile games of its time to delivering full-length feature animation, every production has brought unique problems that needed solving. I personally drive look development, lighting, and compositing for the majority of the work, while simultaneously developing custom tools, HDAs, and automation that multiply our team's output. South African productions run on a fraction of international budgets, and that constraint is the best training there is: it taught me to plan early, cut work the camera will never see, and know exactly where the render hours should go.